A good way to begin working on basic reharmonization is to practice harmonizing a tune and coming up with a different chord for every note of. My book Jazz Ear Savvy begins by asking you to play Happy Birthday starting on random notes. It’s the most basic exercise to strengthen your. Reharmonization techniques are useful in many ways in Jazz both in improvising and arranging. In this video I will go over 5 reharmonizations.

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Harmonize A Melody & 5 Basic Reharmonization Techniques

Notify me of follow-up comments by email. Arranging and Composing Theory and Ear Training. The G chord has been changed to a G7 G-B-D-Fwhich builds extra tension by adding another note that wants to resolve a half step into the C chord.

In a progression going up a fourth, if the first chord is a minor seventh chord, it can also be substituted for a seventh chord; a relative second degree can also be added before it to create a ii-V-I turnaround. Clawing at the Limits of Cool.

We would have then:. Bars are a long resolution to F, and starting with the F minor we can see a string of guide tones that all stem from our original G7. A sole minor seventh or seventh chord can be perceived as a second degree or its dominant quality substitution, in which case a fifth may follow.

Experienced arrangers might decide to use these kinds of highly dissonant chords when reharmonizing, however jaaz this dissonance requires a good ear and a deep understanding of harmony. Where the five of F is C7, the sub five of F is Gb7.

But why stop there? In order to come up with a new chord for each melody note, you must exhaust all available tritone substitutions and exploit all hazz chromatic approaches. The A7 in bar 11 is just the five of D7, which is in turn the five of G7, which of reharmonizatoon is the five of our home chord C7.

A good way to begin working on basic jaaz is to practice harmonizing a tune and coming up rebarmonization a different chord for every note of the melody. It is interesting that you think in extension notes considering this.


The F note resolving to E is less important, reharmoniztaion a logical chord to precede G7 is one that has the tension note F while maintaining the consonant note C. Here are the basic chord changes and melody as you would see in a lead sheet:.

Another use is working in songs that are well rehadmonization. Views Read Edit View history. A two-five-one in the key of Bb would be Cm7-F7-Bb. In the same progression, chord qualities are sometimes flexible: You will perceive, over this study that any reharmonization needs to be done considering the melody. Leave a Reply Reharmonizatino reply Your email address will not be published. Berklee Online Study Berklee’s curriculum with Berklee Press authors and renowned faculty in an intimately sized class of like-minded musicians.

We know that our two important notes in G7 are the third B and the seventh F. Take your musical vocabulary and skill set to a whole new level for writing, arranging, and performing music of any genre by learning reharmonization and providing musical interest and variety to standard repertoire. A two-five-one in E would be F m7-B7-E, etc…. Wikimedia Commons has media related to Harmonization. Create a free account to get your catalog and instant access to: Similar to how a big band arranger would use soli techniques to harmonize a melody, as solo piano arrangers we can utilize the same harmonization techniques to harmonize a melody to a tune.

Basic Reharmonization: How To Harmonize A Melody & 5 Basic Reharmonization Techniques

This topic will emphasize this point, showing how the melody is the flagship and what we can create of harmony in it. Arranging for Small and Medium Ensembles. Articles with hAudio microformats All articles with unsourced statements Articles with unsourced statements from July Commons category link is on Wikidata.

It refers to the technique of sliding a chord or chord tone up or down, either chromatically or a tritone apart, maintaining the shape and voicing of the chord, at times resolving to the original chord. As well, a number of improvisers have used planing effectively, typically as part of a progression. The F chord brings us to a slightly different sonic space, but our comfortable home note of C carries over as the fifth of this chord F-A-C. From Wikipedia, the free encyclopedia. Jazz musicians often take the melody from a well-known standard and alter the changes to make the tune sound more contemporary or progressive.


In jazz, the term is typically used to refer to the process of reharmonizing some or all of a tune, whereby an existing melody is refitted with a new chord progression. See the examples below:. For other uses, see Harmonisation. The fourth degree in major may be substituted for a seventh chord to create a “bluesy” sound.

Typically however, reharmonizations involve not just a single melody note, but a melodic line. This site uses cookies. Planing is a reharmonization technique used by both improvisers and arrangers.

Chord reharmonizarion Back to: With the utilization of chord progressions. A first idea that we could have to this song it would add the seventh in each one of the chords, making tetrads instead of triads.

To this, it would be necessary reharmonize its structure. Typically, a melody is reharmonized to provide musical interest or variety.

This is a basic tenet of jazz reharmonization: Harmonization of the Choralep. Comment Name Email Website Notify me of follow-up comments by email. The new rehatmonization has a more contemporary sound, with chromatic bass motion and smooth voice leading in the upper parts.

Reharmonization is the technique of taking an existing melodic line and altering the harmony which accompanies it.

Since that, in the D9 chord in the guitar, the ninth E note entered in the place of the third F notewe can use this F and put it in the bass.