The virtuoso pianist and composer Antonio Ruiz Pipó was born in Tagged: Antonio Ruiz Pipo, classical, Drop D, guitar pro, midi, sheet music. I wonder if anyone could confirm or suggest the best (pima) fingering for the third measure of this piece? Specifically the G of the melody in the. Results for Estancias Ruiz-Pipo (not all results may be relevant). Submitted by Anonymous (not verified) on See also. Estancias: guitar.
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Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. Our website is made possible by displaying online advertisements to our visitors. Please consider supporting us by disabling your ad blocker on our website. Discussions relating to the classical guitar which don’t fit elsewhere.
Specifically the G of the melody in the third measure that skips between A and F. It seems a bit fast to use m throughout the whole melody line in measures ? Would a be a better choice? You do not have the required permissions to view the files attached to this post.
When I first learned this piece I remember struggling with it as well. Yepes’ right hand fingerings do not seem intuitive, which leads to the conclusion that using an i-a combination would be pipoo and better.
I use the suggested i-m and it feels fine to fuiz but this could be the result of years of accumulated comfort with the fingering. Personally, I think i-a would perhaps work just as well.
I will say this, however: I do also believe that you can bring the melodic line out better with the m finger, as suggested, because you can bring a little more torque to bear on it naturally to my ears, the melodic line sounds a bit one-dimensional when I antnio the a finger. So, some food for thought. But, no matter what fingering you use–and this is the most important thing with this particular piece–it will take a lot of slow practice and a lot of patience to bring it up to speed.
In guitaar to your advice this also seems to be implied by the fingering notes on the music itself. I just need to work on speed and clarity!
Cancion Y Danza No 1 by Antonio Ruiz Pipo – Classclef
This is a difficult piece; just be very patient with in when trying to achieve speed and it will come in time.
I think that you will agree that you will be able to finesse and shape the melodic line a little bit more if you use the m finger. I pluck the “G” between the A and F with my A finger because I find it more natural, in a sense that “G” is so short followed by “F ” playing both with “M” is too much for me at tempo.
In other words I play exactly as annotated in the above example. On the side note, when I originally bought the score it guutar a photo copy of a hand written score. I mean, it was a legit facsimile with hard covers bought and the store and all but the score was handwritten.
Estancias: guitar | Antonio Ruiz-Pipo | The Classical Composers Database | Musicalics
Anyone else seen or knows about that? The clincher was simply playing the melody line on its own and at tempo, with both options. I was keen to learn fingering that I could take up to speed.
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